29.1 - Winter/Spring 2017
2016 Gulf Coast Prize
- Destiny by Mike Alberti (Fiction)
- Calisthenics by Brandon Rushton (Poetry)
- Witness Trees by Cassidy Norvell Thompson (Nonfiction)
Poetry
- peluche perdido / plushie lost (Disney Central Americans in Times Square) by Sheila Maldonado
- ghosts of me by heather hughes
- Soap by Hadara Bar-Nadav
- Two poems: Family and Consumer Sciences, and Triggernometry by Cortney Lamar Charleston
- nigga as pronoun by Danez Smith
- Archival Footage of a Necessary Outburst by Anne Cecelia Holmes
- Two poems: Breaking Up with Pablo Neruda, and Existentialism & the Absurd by Jonathan Moody
- Superhero by Alessandra Lynch
- [This land is made of organic matters and rock] by John Plueker
- The Guilt Depot by Catherine Pierce
- Lily-White-Secretion-Maker by Chet'la Sebree
- The Cowherd's Son by Rajiv Mohabir
- Two poems: Some Great Urge, and Horses Do Pony Bends by Terese Svoboda
- The Voice, from The Elements by Erin Moure
- LOL, not LOL by Jason Bradford
- Trans Memoir 4-7 by Sara June Woods
- Two poems: Orpheus, Asymptote, and Motion, Moved by Amy Meng
- When I saw Ochocinco I had to think about all of the ways I had been fake by Khadijah Queen
- Crop Circles by Ross Wilcox
- Little God (Labrador) by Michael Morse
- Seascape with Evacuating Animals by Bethany Schultz Hurst
- Untitled by Ralph Angel
Nonfiction
- 6 Micro-memoirs by Beth Ann Fennelly
- Two essays: Mates, and Spoons by Kelly Sundberg
- Becoming Animal: A History by Alex Lemon
- Swimming by Geri Ulrey
- A National Installation of Memory by Mario Alberto Zambrano
- Pitol, Our Great Eccentric by Vicente Alfonso, trans. George Henson
Interviews
- Marina Abramovic on Thomas McEvilley: An Interview by Marina Abramovic
- Writing Whatever Presents Itself: a Q&A with Phillip Lopate by
Art
- Endorsement of Alternative 2, an avant-garde museum, in Mr. Barthelme's memorandum of July 10, 1961 by Carrie Schneider and Adrienne Perry
- Thomas McEvilley: Global Citizen by
- Learning from Thomas McEvilley by
